• @bionicjoey@lemmy.ca
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      59 months ago

      Yeah but TBF most games are bad. If you filter out the shovelware you are left with games that are actually putting in some effort. Usually the VA and writing are at least passable in those. But many genres simply don’t value writing or VA polish very highly. A story-heavy game like Slay the Princess lives or dies by its writing and voice acting. An RTS like Total War where most of the voice acting is unit barks doesn’t need it as much.

  • @weirdbeardgame@lemmy.worldOP
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    9 months ago

    Like for example. I genuinely like Wakka from Final Fantasy X and think he’s a great character with a lot of development. He has a genuine albeit misguided reason to hate the people he does given his situation, his firm beliefs in Yevon and to not spoil an over a decade old game his brother’s death.

    Plus he has a great character development point throughout the game that lessens his hate towards the Al bhed and even sees him developing a genuine friendship with Rikku and the other Al Bhed to some degree

    • Omega
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      89 months ago

      I forget that people hate Wakka. Not every character needs to be a paragon of justice. It’s interesting because he’s such a hopeful character, but also hateful.

      A+ pick.

      • @weirdbeardgame@lemmy.worldOP
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        79 months ago

        And it’s further backed up by the change you can see in him when he learns the WHOLE truth and how he does a 180 as a character.

    • @GoodEye8@lemm.ee
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      9 months ago

      Depends, just the base game or with all the DLCs? The DLCs are some of the best in the series, but the base game is about as enjoyable as fucking a fleshlight with glass shards in it. With the DLC I’d put it just above DS3 because you still need to suffer the base game to play them.

    • @Corr@lemm.ee
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      39 months ago

      I find dark souls 3 successfully condensed down the mechanics and gameplay of the souls games but delivered nothing in terms of exploration and world building.

      The lore is DS2 is very good but the gameplay feels so horrendously unpolished and a lot of enemy placement feels really bad.

      If I could play ds2 with ds3 gameplay it would potentially be able to rival the first half of DS1 for me

        • @Corr@lemm.ee
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          9 months ago

          Everything up to the lord vessel. Your goals and fast travel completely changes how you play the game and the new areas are less interesting imo

        • @Corr@lemm.ee
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          19 months ago

          I’ve watched gameplay for SOTFS but I played vanilla and maybe both DLC I think.

  • slazer2au
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    149 months ago

    The factory doesn’t always have to grow.
    At some point it needs to stop.

  • @VelvetStorm@lemmy.world
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    169 months ago

    The obviously trans bartender in hogwarts legacy makes no sense in a universe where you can use magic to change everything about yourself. I understand and like that there is trans representation in this game and any other game it is in and as a fuck you to that terf pos jk but in universe it does not make sense to me.

  • SSTF
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    119 months ago

    Homefront: The Revolution is actually a super fun game. Dare I say…a hidden gem?

    It has an atrocious metacritic score for a few reasons. Mainly, some of the enemy AI was broken on release, which is fair, but it’s long since been fixed. The other big issue is that it’s a sequel to a genuinely bad game and most people didn’t bother playing it, and most who did came with the goal of trashing it.

    However, this game is fun if you want something kind in the modern Far Cry style vein, but set in urban environments. It run on the Crye Engine and the gunplay is rock solid; the shotgun in this game is fantastic. The guns all have absolutely preposterous alternate fire modes. The assault rifle has its upper swapped out to turn it into landmine launcher.

    The story and setting is a complete reset compared to the first game. It isn’t just a lazy “Red Dawn but China North Korea”. There is an elaborate alternate history backstory going back to the 1950s that sees North Korea take the role of the high tech manufacturing hub for the west, eventually becoming what some in the west in the 1970s feared Japan would become- a powerhouse of tech that was rich and had a grip on all western nations because of it. Then this cyberpunk reimagining of North Korea takes over a poor and downtrodden USA after the U.S. had made so many bad choices that NK could plausibly send “international peacekeepers”. Absolutely nuts plot, but so weird and strangely high effort. Also means the bad guys are coded so cyberpunk and have all kinds of drones and stuff.

  • @son_named_bort@lemmy.world
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    99 months ago

    Most crafting mechanics suck and feel grafted on. This is especially true if crafting isn’t the main point of the game.

    Breath of the Wild was a much needed change in a series that had started to go stale. While I like Zelda games, the formula of go to the dungeon, get item, defeat boss, go to next dungeon and repeat was getting worn out, with exploration taking a backseat.

    There are too many Pokemon. I don’t know if that’s a hot take, but I’m including it anyway.

    Having parts of the map blocked off at the beginning of GTA games is garbage and the in game explainations even moreso. Part of the fun is walking around doing random stuff, I want to be able to do that from the get go. Thankfully GTA V got it right.

    The GameCube controller is overrated. While I like the giant A button and the shoulder triggers, the D-pad is too small, the X and Y buttons are oddly shaped and easy to mix up, and there should’ve been a shoulder on the left side too.

    • @WolfLink@sh.itjust.works
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      9 months ago

      My hot take on games like BOTW and TOTK: when the game is so open ended you can invent your own answer, the answer to every puzzle ends up being the same.

      In BOTW the answer to every puzzle is “balloon”. In TOTK it’s “big stick”. In Scribblenauts it’s “invincible deadly flying rideable friendly <insert your favorite noun here>”. No, I don’t mean literally every puzzle, but it works often enough that I feel like I’m just wasting time if I try doing things any other way.

      The handful of times I’ve actually felt creative in TOTK were when I was just messing around. Creativity is rarely useful in meaningful progression.

      More traditional metroidvanias (including traditional Zelda’s) give you bits of “huh I don’t think I can get there now but clearly I’ll have some way to get there later” and “I just got this thing I wonder what I can do with it”. That kind of puzzle solving is completely absent from many newer Zeldas (BOTW, TOTK, ALBW).

  • @Lojcs@lemm.ee
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    189 months ago

    Most games have a terrible story that merely serve as plot points to give context to what’s happening. The lore and world building is usually pretty good but story rarely is better than ‘ok’

  • @jjjalljs@ttrpg.network
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    159 months ago

    The dark souls games aren’t as hard as people think they are. Or they’re differently hard than people think.

    I’m not saying they’re easy. But I think people think they’re all lightning fast twitch or die. A lot of the game is more “you took a corner at high speed and fell into a hole in the ground, and then rats ate you while you panicked”.

    Sometimes there’s speed, but a lot of it is staying calm and aware.

  • @thoro@lemmy.ml
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    9 months ago

    Miyazaki hasn’t really innovated since Demon Souls. The other games are slight variations on the same gameplay and design. Sekiro is the biggest change, but the overall design is still very similar. The rest are just “more aggressive / faster” or “open world/metroidvania” in comparison. There are other differences, but the core experience is basically the same.

    Fumito Ueda, while similarly iterating on similar ideas, was far more ambitious in his game design between Ico, Shadow of the Colossus, and The Last Guardian. Ico was very different to mainstream gaming at the time. SOTC pushed animation and scale to the limits of the hardware while doubling down on “design by subtraction”. Guardian, while similar in concept to Ico, was a bold move in relying on a “true to life” creature and developing your relationship with that creature as gameplay design. Each were far less mainstream than Miyazaki’s design which is why, as acclaimed as they are, you will find more division about them from so called “core” gamers.

    He’s the more important auteur in the medium. You don’t get Dark Souls without Ico.

  • @RightHandOfIkaros@lemmy.world
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    119 months ago
    • Breath of the Wild was a bad Zelda game. Not bad as a game in general, but terrible as a Zelda game. Apparently, people have told me this is a hot take.

    • I actually don’t mind gacha games with microtransactions as long as the gameplay is good and the game is free to play. I really like Super Mecha Champions and Zenless Zone Zero currently.

    • Xenoblade Chronicles 2 is a snoozefest to play. People always tell me to play it and how good it is but the auto-battler combat where the characters have bark lines for literally every action they take in a second is just not for me.

    • Command & Conquer Generals: Zero Hour is the best C&C excluding the Red Alert games. No, I won’t argue with you, and no, I won’t change my mind.

    • Metroid Other M wasn’t actually that bad. Yes, the cutscenes were long and the game was pretty linear (just like Metroid Fusion and Dread, honestly), and yes, I can see why certain people would be mad about certain plot points, but the game was not literally Hitler. It was a very fun action game, and what is crazy is that the gameplay was equally as fun to watch someone else play it. The pixel hunts were kinda annoying because of the way they were forced, and I do wish it had analog controller support, but at the end of the day I still think it was a pretty fun game to play.

    • Call of Duty Infinite actually had a fun campaign. Granted, the last CoD I played before it was World At War, but I actually really liked the campaign. I liked the structure of being in a spaceship and choosing the missions I wanted to do.

    • Hazmatastic
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      99 months ago

      Absolutely agree about BotW. I’m barely getting into it (only 800 more korok seeds to go…), and I really enjoy it as a game, but it feels more like a great game set in Hyrule than it does a Zelda game. I think they strayed a bit too far from the formula on it. I miss going into a temple, finding a bunch of stuff I can’t do anything with, getting an item, using that item to solve all the puzzles I couldn’t do anything about, then using the skills that gave me to beat the boss with that item. I miss permanent items that are given incrementally and give a feeling of progression as more of the world opens up to you as a result. BotW feels like it gave me all my items at the beginning, handed me an open world, and said, “Have fun.”

      I am having fun. Just not Zelda fun.

      • @Kelly@lemmy.world
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        59 months ago

        I am having fun. Just not Zelda fun.

        The problem I have is that it just makes me want to play a Zelda game. It would probably be fun without the Zelda skin but as it is it just reminds me of a game I would rather be playing.

      • nek0d3r
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        19 months ago

        Honestly just in general BotW was so amazing when it came out because it really was this break in formulaic gameplay that was really needed, but as soon as you complete a casual campaign or two it wears thin as the flaws start setting in. Seeing TotK really focuses hard on those flaws while also spelling out a future of even more formulaic games than ever before. Considering that Eiji Aonuma hinted that TotK is the baseline for future Zelda games, it seems clear that they’re falling in the exact same trap as they did with OoT, the trap that he acknowledges in that same interview. It kind of feels dooming for the future of the mainline Zelda, since we already see the flaws of this style very early on.

        Super hyped for Echoes of Wisdom though. That one looks like it could be fun if executed well.

    • nek0d3r
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      19 months ago

      Definitely there on Other M too. The story is pretty mindless but the gameplay is pretty addicting and the FPS missile context switching is as fascinating and creative as it is awkward.

      In general, I’m tired of seeing this trend of open world being just a superior format to linear gameplay. It feels like this encroaching new version of “3D is objectively better than 2D”, and watching Nintendo IPs fall into this trap one by one is kind of depressing. Open world is for players crafting their own story, and linear is more fitting if you want to tell a story. It’s certainly why the delivery of TOTK’s story is so repetitive, and how most open world games aren’t really open world because it just ends up on a linear track as soon as you reach an objective. Meanwhile, Metroid Dread the first go around honestly feels like an open world game despite being a total rollercoaster because the game design pushes the player’s intuitions so well, combining what the industry learned from games like Half Life, Mirror’s Edge, Uncharted, etc.

    • @criss_cross@lemmy.world
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      19 months ago

      I agree about Xenoblade 2. I played for 10-20 hours and had to drop it. At some point I would find a horde of enemies and go “dear God not ANOTHER fight” and just start running.

  • Armok: God of Blood
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    79 months ago

    Hello Games’s release of No Man’s Sky was a massive gamble that was more likely to fail than not. They shouldn’t have been forgiven for the false advertising and broken promises. Half the gaming industry seems to have gotten the idea that it’s okay to release a half-baked mess for $30-$70 and then maybe fix it later.

      • Armok: God of Blood
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        09 months ago

        On the other hand, we rarely get games that are even as good as No Man’s Sky is now.

        I liked the original pitch where you were supposed to be exploring this strange, empty, hostile galaxy. Now it feels like the game just got turned into Fortnite in space. I don’t want to need a base or anything.

  • @Hadriscus@lemm.ee
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    9 months ago

    I think Gears of War would have been better if the Locust had turned out to be humans mutated through imulsion exposure.

    It would make sense to me because the Lambent are imulsion-infused Locust, and they look more Locust than the Locust. Anyway, that’s what I thought Gears2 hinted at, at the time

  • Omega
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    59 months ago

    Cloud drags Final Fantasy VII (OG) down. He’s the least interesting playable character and his amnesia subplot overstays its welcome.

    Also, Cait Sith is the best character.

    • @weirdbeardgame@lemmy.worldOP
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      49 months ago

      I’d say I agree to a point. I think Cloud is what makes the storyline what it is, but at the same time. I’d agree that his character could’ve been fleshed out a bit more in a lot of ways. Especially in his relationships with Aerith, Sephiroth and Zack.

      • Omega
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        39 months ago

        I guess I never cared for the main plot much either. For me the characters are the best part of the game. They make the story. Heck, a lot of the game is exploring their individual stories that aren’t connected to the overall plot.

        As opposed to FVIII where the main plot is everything and rarely involves the side characters.

  • @morphballganon@lemmy.world
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    -149 months ago

    Calling your own take a hot take is premature. A take being hot requires it to make other people take notice and agree. If it’s your own take you’re sharing, that hasn’t happened yet.

    I think you mean what are your unpopular opinions related to game plots/characters.