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Cake day: July 4th, 2023

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  • Kender, who were similar to halflings and I think are now a variant, were notorious for this. Their schtick is that they “borrow” things from their party members, not understanding that it’s theft. It gave assholes license to be assholes under the guise of roleplay, until the table inevitably needs a talk.



  • Like others have said, the rules are… bad. Especially the latest edition. A couple of the older editions are “favorites,” but still mixed bags, and lots of people just take the setting and use it in another system entirely.

    There’s a Shadowrun actual play podcast called NeoScum that I loved (now concluded), and it began with “It’s like D&D mixed with Bladerunner!” and ended with “Fuck this, fuck Shadowrun, the universe rearranges itself so we can play a different game.” They even had a goofy recurring bit they would do whenever they had to stop play to look up rules or calculate something, which happened constantly. It’s also not a player issue, since they’ve switched to Call of Cthulhu for another story (Gutter) and just don’t have that problem.



  • As a rule, no, but I’ll make some rare exceptions.

    It has to be a small studio, I have to be pretty sure I’ll like their next game, and I have to have enjoyed their past game enough that it’s worth throwing them a few extra bucks.

    For instance, I’m going to pre-order Slay the Spire 2.

    • Mega Crit is an indie studio.

    • I thought StS1 was exquisite, so I’m optimistic about a sequel from the same people.

    • I playes StS1 for hundreds of hours, so even if the sequel is a whiff, I’d have got my money’s worth from them.

    Similar goes for The Haunted Chocolatier, since I played the heck out of Stardew Valley.





  • /u/DerisionConsulting@lemmy.ca is right on the money. Mana paces the game, so anything that can break that is super good. In an otherwise even matchup, if one player has a Lotus while the other doesn’t, that can easily make the game. It’s not going to win the game in and of itself, but it’s a huge enabler to play the thing that will win you the game, before your opponent can reasonably do anything about it.

    On top of that, it’s literally good in all decks. It’s been banned in every format besides Vintage, where it’s restricted to one (and not including casual/fan formats). It had to be banned partly for power reasons, but also because it makes deck-building less diverse. There’s no deck that wouldn’t want a Lotus if it could have one, much less four.

    It’s also part of the Reserved List. After WotC overprinted cards, they essentially promised not to reprint certain ones. I think it’s a dumb decision, but they’ve annoyingly stuck to it (and players are worse off for it). Black Lotus is on that list. And it was alreadly limited in printings, because it was a rare card, and a bit of a design mistake.

    It’s also simply an iconic card. Despite being a design mistake, it’s a major part of Magic history, and gets referenced all the time. To some extent, it’s famous for being famous. That makes it the biggest prize for collectors.

    So, all this together, it has an incredibly high demand, a very limited supply, and no indication of a reprint anytime soon.

    So I printed off a proxy at a professional card printer for 30¢. :)






  • For those wondering if Gygax grew beyond this kind of thinking, no, he didn’t. There’s an infamous forum post of his from 2005 where he calls himself a “biological determinist,” and says that “females” are generally incapable of enjoying RPGs as much as men “because of a difference in brain function.” Could it be that, for some reason, the women he played with just didn’t enjoy the games he ran? No! It must be that RPGs are simply beyond their female brains!

    Also, anyone have links to a copy of the issue of Europa cited in the article? I’d love a primary document to cite in the future.