Just a guy. Totally lost and confused, and not socially adjusted enough not to say it out loud.

Street Philosopher, Massage Therapist, Secular Exorcist, Ascended Wizard of the Second Order, Notorious Menace, Public Enemy, and a Great Friend to some.

Hobbies: Poetry, Music, Respecting Women, Cyberbullying Children, Digging Holes in the Ground, Gaming, Wizardry and such.

The story so far…

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I am Young Gilgamesh. Fabulous secret knowledge was revealed to me the day I held aloft my mighty fist and said “Fuck you God! I’ll get you one day!” My dog was struck by lightning, and unfortunately passed away. And I became diagnosed with a mental condition! the most powerful man in the observable universe!

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  • 18 Comments
Joined 1 year ago
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Cake day: July 11th, 2025

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  • No, not interpretation, the way to say it. Where I’m from, the idiom explicitly mentions playing the lyre. I checked.

    And no, I don’t read things that don’t interest me or have no impact on my life. This argument is purely for the fun of it. I mean, at this point it is. Thank you by the way for engaging with me. This was a surprisingly nice exchange. My mind still isn’t changed. I prefer to believe things that I am told in real life by people, rather than things I read on the internet. Whenever it suits me, of course. I am a hypocrite after all. You know what they say. “Billions of flies can’t be wrong, there’s gotta be something to this shit.” In any case, thank you for your time, and I wish you all the best.

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    Since I assume we’ll be ending the conversation soon, I’ll be honest. I know I was wrong. Maybe not wrong, but definitely not objectively correct. However, I cannot admit that. Not 20 comments in. At this point if I admit I was wrong, it means all of this was for nothing. It means this was all wasted time and wasted words. And I don’t want to admit that. Because it wasn’t. It was fun. Right? Arguing about something silly? Neither of us willing to concede, even though the subject has no actual impact on our lives. I enjoyed this. It was so much more civilized than my everyday life. Thank you. Genuinely.


  • In my country/culture the idiom goes “Nero didn’t play (or did, people use both versions) the lyre while Rome burned”. I don’t know what else to tell you. The term being invented or not doesn’t matter since the instrument wasn’t invented. Your example with Cesar is different. If knives weren’t invented by that time (or other stabbing implements) would you still say he was stabbed to death? Language doesn’t matter in face of physical reality.

    To me, it is the objectively correct version of the idiom, as it involves a historically accurate instrument.


  • Fool! You think I know what the difference is?

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    This is a sarcastic, over exaggerated reaction. Just so you know I’m not actually trying to insult you.

    No, really, I think I understand even less now. And how is the word “fiddled” being a verb change anything?

    The term “fiddling/fiddled” implies there is a fiddle involved. My problem with the statement is that there couldn’t be a fiddle involved. Because fiddles were not invented yet. Lest Nero was fiddling himself (or someone else), I cannot accept your version of the idiom as correct. Just because there is no such thing as “luteing” or “lyreing” doesn’t mean “fiddling” is the correct verb to use.

    Edit: I think I know where the misunderstanding is coming from. Are you assuming I am disagreeing with any part of your statement? I am not. I am simply saying that the correct version of the saying would not mention fiddles. Because there were no fiddles. Unless that is the point. We know he wasn’t playing the fiddle because there were no fiddles? Is that the point?






  • My man, didn’t I literally say “No offense,”? I’m pretty sure I did.

    And I’m pretty sure Chauncer and Shakespeare won’t outlive me, since they already died.

    But whatever, this is a discussion about a single perceived misuse of a single word. And at this point I’m getting confused. So, do you agree it was a lute or not? This is what the discussion is about (I think). At least that was my intention from the start. Because I distinctly remember this little story about Emperor Nero having a lute in it, not a fiddle. Although there are versions of the story that say it was a cithara. And a cithara isn’t either a lute or a fiddle.

    Also. The article you linked kind of makes it sound like it isn’t talking about an instrument at all. Maybe, possibly, Nero fiddled his diddle while Rome burned. There’s still an instrument involved, just not a musical one. Not conventionally anyway.

    And no. I’m not reading the whole article. Not because I don’t care enough to do so (although that is true, I don’t), but because I don’t have the attention span to read an article about a misqote of a fake story.

    And again, no offense. I mean what I say as literally as I can. I am terrible at speaking to people. And honest. People don’t like that, usually. As a token of friendship, please accept this funny picture of a drink that I have found (I found the picture, not the drink).

    I really don’t know how else to diffuse the situation. 🙂


  • Mistranslations don’t change a lute into a fiddle. These are different instruments. They look different, and they sound different. And they are played COMPLETELY differently. I will NOT back down on this. It was a lute.

    Also, medieval writers in what cultures? Because I’m pretty sure the ones from Italy did distinguish between the lute and the fiddle. They might’ve called it the same word in some cases, like you might call a glass a glass or a cup a glass or a mug a glass, and it’s still a technically correct name, they are different. And glass mugs do exist, I have one right now on my desk in front of me.

    You can’t be right just because you give the source of where you got your misinformation from. Sorry. I don’t think that’s how it works.

    No offense, though. Everyone makes mistakes. As far as I know, I could be making one right now and not even know.





  • I wouldn’t say my setting is as detailed as real life history, but you can step in at any point from 1977 to around 7000 and there’s always something major happening in the world. There’s always gotta be a driver for world events. So, once you establish that, things tend to happen organically.

    I usually treat all conflict as originating from different opinions and points of view. This scales from inter-personal drama to cultures, religions, countries and races. This is both a boon and a curse, since I know the motivations and backgrounds of all characters, I see how superficial and stupid the conflicts between them are. What saves me there is that the reader doesn’t know, so they won’t notice. Once you start seeing it, you notice that there is no actual reason for armed conflict at an international scale. Like, not ever.

    And the worst part is writing characters. Not as in creating them, but writing good dialogue. Despite all my efforts, it still seems (to me) like every person is just the same guy wearing different clothes. I desperately need to talk to other humans (to learn how they speak to one another).




  • Thank you for the advice.

    The purpose of my writing is to make something that matters. I don’t have much talent in any field that would allow me to make an impact on the world. I’m not smart enough to be a scientist, not fit enough to be an athlete, not evil enough to be a polititian, and not nearly creative enough to be a writer. But with writing, I found a way to cope with my limitations. If I can make a world that is consistent and logical, then events happen on their own. I don’t need to be creative if I make a setting where interesting thigs happen. Or maybe I am being creative in a very roundabout way. In short, I write because I want to make an impact, and I want my words and opinions to get out there and into the collective consciousness. And who I write for is everyone and no one. Mostly for myself. Potentially for people who are like me.


  • I’m just concerned that my world building is getting too complex for what it is. Who wants to do what equates to a study session just to understand a story?

    I do that, but I’m weird, so it doesn’t count. I’m looking for opinions of fellow creatives.

    I’m no Tolkien. I’d love to be, but I’m just a guy who started the whole project with a silly justification for the existence of a made up game from the 1980s and a conspiracy theory. Also, I’m way too stupid to write to the quality that Tolkien did. If you want to imagine my level, imagine if the Sonichu comics had a Silmarillion’s worth of background lore that explains everything, and how it all ties to Jungian philosophy and Nietzsche’s Übermensch.