Worth noting that the trendline in that plot would be pointing down anyway, before you include season 4. That tends to happen for every long running TV show.

It can be a bit difficult to get a read on what Vulcans are thinking as a viewer, It can’t be easy to act them out. I did think ethan peck was good in this one

“high jinks” might be intentional, and meant to be the vulcan’s way of being dismissive of the human’s nonsense by deliberately pronouncing it as two words.

I went into this episode blind, but the moment Scotty mentioned the puppet was going to be the transporter payload I knew we were in for a tuvix situation. I did not realise it would be quite on this scale. I don’t hate the premise of the episode. It reminded me a lot of the TNG episode where they all get turned into children, and this is a universe where Tom Paris got turned into a lizard after all. I do absolutely hate the cop-out at the end where it turns out it was all a dream. It means that spock was the only character that had opportunity for development and growth, and no-one else gets to share in that. Either go all in on the zany adventures, or dont, but never waste the audience’s time like this.

But hey, you want puppets, I’ll judge you on the puppets. I think they were generally well designed. While the “body language” was expressive, I don’t think the faces were as good as they could have been - There were only a handful of times where changes in eyes and eyebrows really stood out. I also feel that the writing and voice acting for the puppet character’s dialogue was not great, but that gets hand-waved away at the end where we realise as puppets they’re not quite the same people The endpoint of letting go and embracing the madness was a nice resolution to the absurd situation, however I did not feel like the cartoon physics played through.

The orion plot was OK, used as the necessary antagonists to drive the plot. But other than some moments from Joe Lo Truglio, who was a perfect choice for an empathetic male orion, the invaders could have been any invading alien species and nothing really specific to orions was needed. I’m also confused by the huge orion vessel, unless I’ve misread the scale, there should be hundreds at least but at no point did anyone think to help out the 3 or 4 orions actually invading the enterprise. But maybe none of this matters, because hey, it was all a dream.

With some of the other gimmicky episodes, I’ve instantly wanted to re-watch them once I finished. Here, once was enough, which is not a great indicator for the episode overall.

Kor was good. When a new Klingon character is introduced, they need something to differentiate themselves from the stereotype of the honor-bound aggressive wine-guzzler. Kor here stood out in his approach to running the occupation and his presence on the screen.

This is the first episode this season that I’ve really enjoyed.

The direction, lighting, filtering, was all great and on point. I really enjoyed the story, the A plot was a nice wartime rebel story and the B plot was pretty decent too. I was feeling shades of some of the “retro themed” ST episodes from the 90s. The set design was great on the planet.

The Klingons here are used well - seeing the way they act during wartime here they feel almost cardassian in how they treat the native population, but out also makes sense given what we’re told about how they acted during this time. I liked seeing Scotty and Ortega just hanging out. La’an getting help to deal with her problems is good, and seeing her doggedly chase down the truth was nice, though I’m a little unclear in exactly what the chain of events was with the signals and the transporter. Mbenga and una were really sharp on the planet and I enjoyed their acting.

Mixed bag of an episode.

I liked that we got some proper character development - Spock and Kirk coming closer together, an origin point for their friendship is good to see, and the hallucination was a useful way to explain why spock would be willing to open up to such a friendship in the first place. Ortegas and Scotty similarly got some satisfying growth, and the quite unprofessional arguing between them didn’t end drag on for too long.

I did not like the first couple of acts. I know this is meant to be a comedy episode, but none of the jokes really landed for me, it was just kind of a slog to get through. I’m not a big fan of “stoner / drunk” humour in other shows, and it’s not a whole lot better here. I am not sure if the alien host was meant to be funny or charming, but they just came across as mildly annoying. If I compare this to pleasure-planet episodes we’ve seen in other trek shows, I don’t feel the pleasure planet really added a whole lot. CG sequences aside, they were in a fancy hotel more than an actual planet.

Something that really bugged me is that despite repeated references to alternate shifts, at no point did any of the “alphas” think that maybe it might be worth handing off the negotiations or asking for help with the bomb. It speaks to a kind of arrogance that doesn’t really play well given the whole point of the episode is learning to rely on others.

The final act is again mixed. The idea of a pressure bomb, the sci fi equivalent of a landmine, is a great way of building tension, brings ortegas and scotty together fully. But that it then also provides the solution for the diplomatic problems make no sense. The aliens say that particular type of bomb is part of a peace ritual that hasn’t been seen in generations, but then why would a separatist use that for their sabotage?

Overall it was alright, but not amazing.

I don’t disagree with that… I guess limited character growth is one of the disappointing outcomes for any prequel media.

This was a very creepy episode, and as a standalone sci fi fantasy horror piece it works well. But it doesn’t feel trek. Here’s my conspiracy: With the dramatic different in tone, direction, the repeated references to section 12, this is a Poorly Disguised Pilot that the producers were using to test the waters for an x-files like section 12 spinoff.

Overall, I did not enjoy it. I don’t seek out this kind of film normally, and I might have enjoyed it if it had led to anything interesting happening, but ultimately it has not left them with any further progress. All the dramatic moments between the away team and the “others” they hallucinated were basically “then they woke up and it was all a dream”, so no relationship progress there. And within themselves, aside from more unresolved trauma, Spock seems no closer to aligning his human and vulcan selves, La’an hasn’t really learned anything new about her violent tendencies she didn’t already know from the last episode, and Kirk never even got to have the chat with his family because the network apparently cut out.

Vulcans can be arrogant, but they also have some personality to balance it out. I think part of the problem is we haven’t seen much, other than a sliver of backstory at the end of the episode

I do think the away team section needed another pass, either on the writing or the direction. It had some action moments, but at the same time it didn’t feel like anything the away team actually did carried any impact,and never that they were in any real danger. The only bit that actually felt it had real energy was the archeopteryx getting punched in the face.

I have mixed feelings about this episode.

The A story, with the diplomacy, philosophising about how to encounter and deal with new species, I enjoyed a lot. The ending of the time loop was rather inevitable, it being a time loop set in the past, but it worked. It was a difficult choice and it had to be made. “Pike must suffer” I guess. The translation system leaking information through subtle differences in grammar is a nice idea, it felt a bit underused as a concept though, would have been a good topic for Uhura to explore. This kind of political, philosophical, with a hint of sci-fi, story is exactly what I want from Star Trek. More of this please.

The B story, down on the planet, with the dinosaurs, didn’t grab me. First off, I don’t understand why they couldn’t just fly the shuttle right to the wreck, why did they need to deal with the Rex? Other than getting the drive, this entire section could have been cut and the episode would not have lost anything. I get the feeling the VFX artists had a lot of fun with that section though.

Overall, it was an okay opener. Extra remarks:

• Our new vulcan is a flanderisation of vulcans, and not in a good way. “I am familiar with all earth dialects”. Really? All 7000+ of them? I hope they get their comeuppance at some point soon.
• Pelia’s voice seems much raspier this season. She makes another DW reference. Didn’t work for me, it felt a bit too obvious and in your face. If they’re going to keep making these, something more subtle might have worked, particularly for this episode given DW has had a few dinosaur episodes.
• I am really enjoying the Scotty vs Ortegas game. Looking forward to more of this
• La’An’s business looks interesting, though I hope wherever this goes is distinct from the stuff we’ve already covered with Bashir, Una, and Khan.

If it does leave a big crater, I really hope this doesn’t inspire (persons who shall remain nameless) to start developing rodding tech.

For a long time after they removed the 5 star system, if you subscribed to a channel via RSS, it would show you the like/dislike data for videos as a 5 star rating. You can’t see it easily any more but I suspect, due to tech debt, youtube’s internals are still using the 5 star rating.

Thankfully no microsoft, but I do have to use google workspace.

at least i can sandbox it to a web browser? small wins…

The drivers run OK, but because they were not built for my distribution with the right flag, when I sleep and resume my system, I need to log out and back in to the desktop or else it bugs out.

Is this the drivers fault for not having that be a default flag? The maintainers fault for not using the correct flags? Waylands fault for not interfacing with the driver right on resume? My fault for having the audacity to want to use the sleep function?

I have no clue, but it doesn’t happen with the open source nouevau drivers, so I’m inclined to place a fair bit of the blame with nvidia.

Pike got his “that’s rough buddy” moment.

I am very glad we got to revisit this storyline. There was a lot left to explain in that dimensional prison, and using it as a finale to neatly wrap a lot of different plot threads was great. I was really interested in that guardian figure from the earlier episode, knowing now that it ended up being Batel in a kind of asymptotic time loop is pretty crazy, but it is a very poetic ending. She can’t really live a life with Pike, and this is an ending that gives her meaning.

When Batel’s hands started glowing for a moment I genuinely thought she was going to regenerate à la time lord. And in the end I guess she kind of did! I half expected her to start babbling about some cosmic koala when she had stars in her eyes, I’m glad she didn’t. The ending took a serious tone, and that worked very well.

This episode uses what is effectively a dream sequence and those you have to be careful with. It works well here because the concept of time, cause, and effect have already been established as in play here so even if it never turned out as the actual in-universe outcome, it still feels like it has meaning. I note that the show giving us Pike’s alternate future had he not (will he have had not? tenses are hard with time travel) got in the accident for me cements the fact that he really is going to end up as his future vision told him. There’s no avoiding it now.

I am not sure I really followed a lot of the treknobabble in this one. I don’t get how the entity managed to reconstruct itself, nor why there was a whole debate about phasers being complementary instead of additive. But as a plot device to get things moving it was serviceable. Also, just a note, if you’re firing a stream of ANTI protons into the atmosphere, one would expect the antimatter to annihilate on impact with the upper atmosphere. I did find it hilarious that there’s two massive red lasers with the same power as a star beaming in through the balcony and none of the natives there were bothered by it enough to get out of their seats!

The planet design was really cool, the big floating churchey architecture was giving me Halo vibes. It’s interesting that the planet has no warp travel but still makes contact with alien races. I wonder if then the Feds would bother to help them out in the aftermath, or if they just left them to it. They kind of should take responsibility, given it was them that unleashed the evil in the first place. Even if it’s just to loan them that eye regeneration thing for a few hours.

Overall, this was a nice finale, and given it didn’t end on a pointless cliffhanger, and wrapped up most of the threads well, one of the better ones as TV dramas go.

I really enjoyed this one.

We finally get some real movement on the Ortegas trauma that was set up earlier in the season and the solution, forced exposure therapy, is pretty wild. Ortegas managed to overcome it fairly well, which does back up the “she passed her psych eval” stated in an earlier episode. Not only does she overcome a personal problem, but she actually manages some form of diplomacy across multiple alien species. Way to go.

My biggrumble with this episode is the ending. I saw it coming a mile away, there’s no practical way to end it other than finding some excuse to write out the good!gorn. I think the episode did not even need the aliens running things behind the scenes, it would have been perfectly fine to just have the spatial anomaly and a crash landing as the setup.

I hope that Ortegas remembers that La’an killed the Gorn, that will make for some nice drama later. I also hope that Ortegas remembers enough that she could try to advocate for the Gorn. While this episode wasn’t quite “Darmok”, Ortegas shows a lot of aptitude for cross-species communication, and that needs to be used alongside her piloting.

The Uhura-Pike drama was a bit less enjoyable. At the end of the episode pike basically says he would have stayed anyway, which undermines the whole B-Plot of the episode. If anything it should have been a Pike-Una debate. And with a more pressing need than “These people need a vaccine absolutely right now but also they can wait a couple days if need be”.

Another comedy episode? You know what, if that’s what SNW is, a comedy series, maybe it doesn’t bother me. If I lower my expectations and just lean right into it, the fact that we have a slightly lower rate of “serious” episodes is fine. Maybe if I keep repeating that to myself I’ll start to believe it.

The whole episode was fun, taken as a series of “what if” vignettes, and I did enjoy it, but it is lacking that spark that makes Star Trek great.

The plot setup is totally contrived, and I am a bit miffed that we missed out on a “how can we avoid breaking the prime directive” episode. And it does seem a bit like a rehash of the episode we already had with spock. As fun as it was to see the other actors do the whole “I’m a different person for an episode” episode. I have no idea why their hairstyles changed so suddenly but I love it anyway. Especially Pike’s JoJo’s-Bizarre-Adventure hair.

This is purely my personal preference - I really am not a fan of montage scenes set to songs in TV episodes in general. So the marching scene at the start just felt awkward to me. Not very trek. I don’t mind this kind of thing so much in films, or in “musical” episodes, but it didn’t really click for me here. It does fit a bit better when I realised this was going to be a comedy episode.

Patton oswalt was great here. For a moment I wondered if the storyline they were going to go for was that Una had been mind-melded into falling for Doug, as a b-plot to mirror what happened with Uhura/Beto. It seems very easy to basically date-rape-drug humans for a vulcan to take advantage of them. I feel like this story idea merits deeper exploration. As it is, we never really get an explanation other than “they’re really into each other”, which is fine I suppose.

All of the new vulcans being mean to spock contrasting with what must be the only vulcan there, Doug, who is envious was an interesting choice but never goes anywhere. Doug never gets a chance to chastise them on their bullying, and I am sure he would have been able to derive a punishingly logical reason why bullying is bad.

The writing completely skipped over the mind melds and catra explorations into 3 of the 4 characters. What did they talk to spock about? How much of a push did Pike need to realise he was hurting his crew? How did uhura initially react when she realised she had brainwashed someone with the intent to further a relationship with them? How did chapel come to terms with the fact that she’ll have to give up her science experiments? This all would have helped to develop the characters. And in the one we did see, given how driven La’an was to become a mirror universe character, I don’t understand how a dream sequence dance with spock was enough to change her mind. Maybe there are some visual metaphors in the direction I’m missing. Or maybe it was literal and Spock dream danced with Pike to change him back too!

Some stand out scenes with Kirk and Scotty. Also Batel speaking out against power, challenging perceptions, and then getting recognition and a job offer all while struggling with a new medical disability. That was a nice outcome.

I really did not enjoy this one.

The “documentary” that ends up being made feels like the worst kind of propaganda that tries to feign a sense of “there’s two sides to every argument”, all while clearly pushing in favour of the agenda the documentary initially tried to critique anyway. It felt at moments like a military recruitment advertisement. I would not choose to watch such a documentary in real life, and watching it within a star trek episode just feels like I’ve wasted my time.

The writing makes use of the idea of military censorship and a film that jump cuts around to not so cleverly hide the fact that the writers are missing a plot. We are presented with a people in conflict, who abuse a creature to create a weapon. We have no other information about the conflict, beyond “there’s mass casualties”. No explanation of why starfleet is involved beyond “starfleet is here to help”. No explanation why they chose to make that kind of weapon in particular. On the matter of the alien war we are left to fill the gaps ourselves entirely, and because our in-universe director is acting in the role of an unreliable narrator, we have no idea if any of what ended up in the film they ended up making can even be trusted. That FOIA disclaimer at the start could be just as real as those films that say “based on a true story” when they are anything but.

We did get some good character development, particularly with Ortegas finally being up front and open about what she’s been through recently. But not really enough for it to feel like it matters. Ditto Uhura and Spock. Furthermore, despite self-harm and suicide being a central theme of the episode, other than an incredibly brief argument with the alien scientists about whether thier victim should be allowed to commit suicide, it’s not really debated. The crew just accept that they need to do an assisted suicide, and that’s that. Fair enough, if that’s how human morals work centuries from now, but then it leads again to an episode without a useful plot. For contrast, multiple past star trek series have had their take on this topic and done a much better job.

After watching this I am left unsure what wider contribution this episode is meant to make to the series. For all the silliness of the comedy episodes, at least they were entertaining to watch and usually had at least one major plot development by the end. This one could have been cut from the season roster and nothing would have been lost.

Random assorted notes:

• The decoded alien vocalisations kind of sounded like whalesong to me. Perfect opportunity for some cetecean ops, right? nope.
• Beto is shown to be incredibly manipulative, especially with recording people who don’t want to be recorded. Why on earth is he not in the brig?
• Many times in the episode the direction attempts to foreshadow someone dying. I thought for a moment the writers were going to be brave and kill off someone in the crew. Particularly when chapel and spock are stretchered in with uhura standing there in shock. Nope, it’s the random alien of the week instead.
• The alien visuals, both the CG and prosthetics were very nice. I like the idea of a species that, like some animals on earth, begins life underwater and then metamorphoses into something that lives in a completely different environment out of water. That was possibly the only highlight of the episode for me.

Looking forward to the next one, it can’t possibly be worse than this.