• LesserAbe@lemmy.world
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      30 days ago

      This is interesting, thanks!

      Don’t know that I would be active enough for what.cd, but I am drawn to archiving, lossless files and comprehensive metadata.

      I ripped my hundreds of CDs to FLAC and spent a good while organizing before Spotify came along with its temptations. Have started buying again on Bandcamp lately and been thinking about spinning up jellyfin.

      • xvertigox@lemmy.world
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        30 days ago

        Musicbrainz Picard + Emby/Jellyfin is a great combo. Emby servers double as navidrome servers so you can use myriad apps to listen.

    • red_bull_of_juarez@lemmy.dbzer0.com
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      30 days ago

      News like this make me sad. I have not been able to replicate the amazing experience I had with Audiogalaxy or Soulseek. By looking for things you liked you could then search what the people who had that music also had lying around and I discovered so much great stuff that way. My taste in music is extremely eclectic but since I’ve been limited to Spotify, I am rarely discovering weird music anymore. Fuck corporations.

  • ColeSloth@discuss.tchncs.de
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    30 days ago

    I know there’s a lot of music out there, but I would have guessed the number was still less than 86,000,000 on Spotify.

  • shameless@lemmy.world
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    30 days ago

    Damn, I’d be open to if somone could host this, I’d actually pay a monthly subscription to an individual rather than spotify

  • CallMeAnAI@lemmy.world
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    30 days ago

    Who actually cares? This stuff was already available.

    It is this just bait to get y’all riled over “sticking it” to Spotify over what amounts to an utterly inconsequential action?

    • eli@lemmy.world
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      30 days ago

      Personally I think the metadata alone is pretty valuable. Being able to use it as an agent for something like my Plex library would be great from my understanding.

    • LesserAbe@lemmy.world
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      30 days ago

      “Most music is terrible” so I’m not particularly drawn to having this vast archive. I want to listen to the things I really like.

      It’s also not lossless, so from an archive standpoint that seems to diminish its value.

      That said, I do think the insights they post on their blog about statistics and distribution are interesting. And just because that music is currently available via paid services doesn’t mean it will always be as accessible in one place. There would be a lot of manual collection and labeling you’d have to do to get something like this otherwise. And you wouldn’t have nearly as much confidence about how comprehensive such a database was if you did it yourself.